
Ewelina Has Many Faces. September 27. 2008. We were going through my briefcase.
Ewelina was wondering why I carry so many sunglasses. So I explained how each pair carries a different personality. Which is when our conversation began to focus on image and projecting a certain character.
Which is when Ewelina admitted to having many faces.
Recently I've been fascinated with putting portraits and drawings together with thoughts... When I make this into a painting, I'm going to paint both panels and show them together. The portrait. and the context of our thoughts.
Ewelina Has Many Faces
I Only Know People I Know Through Other People (If You Know What I Mean)
I Only Know People I Know Through Other People (If You Know What I Mean). This sketchbook was a gift from Holly (Christmas, 2006) and really impressed me at the time. Because it was perfect for me. Only, I didn't realize it at the time.
In January, I began the process of shutting down my second Richmond, Virginia art studio. The first one was shut down by redevelopment. This studio was shut down because I had lost all control. Hence, this particular sketchbook is entitled: "On Shutting Down and Starting Over. or. The Gaslight Search Engine Takes Control"
Travelling without a studio, sketchbooks have become my art for the last two and a half years (interrupted every now and then by the most beautiful paintings I have ever painted).
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paintings.drawings.arithmetic.
Second Letter to a Lost Love
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paintings.drawings.arithmetic.
Last Letter for a Lost Love
Last Letter for a Lost Love. Friday, May 23rd. 2008. You may have noticed that I'm not in Istanbul.
In fact, when my plane was supposed to take off (7:50pm), I was on the Millennium Bridge, opposite the Tate Modern museum on the southbank of the Thames river in London.
Luckily, the sun was guiding me. Bright and opalescent, I let the energy ride the wind and bring me peace.
It was really loud walking across the bridge.
The pages stayed together from the Millennium Bridge to the London Bridge, until they became bright lights in the waves.
I hope that these pages find their way home.
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Voyage Countdown Video Trailer
Voyage Countdown Video Trailer. Contains absolutely no drawings from London. Instead, a collection of thoughts, phrases, pictures, and places from the spring and summer of 2006. New York, Washington DC, friends, enemies, bottles, whirlwinds, the list of people to whom I gave over 200 paintings at my going away party... I drew numbers from a top hat (so as not to introduce favorites) to decide who would choose when... It's fascinating to compare the order of the draw (and more interestingly, the order of the choose) with my own estimations of a paintings strength...
Love Smells Like Flowers
Love Smells Like Flowers. I was wandering through the American Portrait Gallery, in Washington DC. It was 2006. Encountering a dozen new ideas about American folk art, and art in general, I made notes.
Sketchbook: The Necklace Video Trailer
Sketchbook: The Necklace Video Trailer. The week started innocently enough, a Sunday stroll through Camden Markets on a beautiful day. I was looking for a necklace, but wanted the right one to find me... I think that necklaces have to match your internal energy. Needless to say, I couldn't find anything until the right one was mailed to me from Amsterdam one month later. Made by a fairy, and a gift of friendship, I had no idea what I was getting into when I signed up to stay for a mere two-day layover in Noodjwick...
Graciously added to this fantastic list of online sketchbooks!
Happy Birthday, My Phone Won't Work
Happy Birthday, My Phone Won't Work. This is my phone. I wanted to call and say Happy Birthday. It was August, the first week. Actually, my phone wasn't broken. I just didn't have your phone number. Instead, I made you a birthday card and never sent it.
That's me at the bottom saying "Hello."
Page 4 from the Lost Summer sketchbook.
Sculpture Inside of the Hirshorn
Sculpture Inside of the Hirshorn. One of my first drawings done over words. When an artist draws a picture, what is often missing in the rendering are his thoughts. There is the perception of the object, which is colored by the bouncing of thoughts and words... Then, there is the rendering of the object, which is the result of pen to paper. I like this series of drawings because it reveals another dimension... Because an object is seen as an effect of its' surrounding environment, to truly reveal the reality of the perception, isn't it necessary to include the contextual state of mind of the artist?